Camera

Speed/fps

Shutter°

Registration

Format

Sound/
MOS

Features

35mm Cameras

Arricam Lite

1-48

0-180°

Electronic

Dual pin registration

35mm/
Super 35

Sound

Particularly useful when low weight, small camera size and operating freedom are required. 3 and 4 perf capable.

Arricam Studio

1-60

0-180°

Electronic

Dual pin registration

35mm/
Super 35

Sound

This durable ultra quiet studio camera allows for magazines to be top and rear mounted. 3 and 4 perf capable.

Arriflex 535B

3-60

11-180°, 144°, 172.8°

Dual pin registration

35mm/
Super 35

Sound

Time code capable. Great studio camera that can be hand held. Can be used on Steadicam.

Arriflex 435ES

1-150

11-180°

Electronic

Dual pin registration

35mm/
Super 35

MOS

Time code. Studio or hand held high speed camera. Great for in camera effects. Can be used on Steadicam.

Arriflex 235

1-75

45-180°
(manually adjustable)

Single pin registration

Super 35 & Regular 35

MOS

Extremely compact. Perfect for handheld, steadicam, remote and "C" camera work.

Aaton 35-III

3-40

144°, 150°, 172.8°, 180°

co-planar claw movement

35mm/
Super 35

Sound

Time code. Ideal sync camera for hand held or Steadicam use. Limited to 400' magazines.

35mm Camera Packages


Arricam Lite

The ARRICAM LT is ARRI’s latest sync sound lightweight camera that is beautifully designed for filming handheld and steadicam shots. In addition, it serves just as well as an extremely quiet studio camera.

Other features of our ARRICAM LT include:

  • The preferred Universal Studio Viewfinder which transmits significantly more light to the operator’s eye.
  • Medium and long viewfinder extensions.
  • ARRIGLOW module.
  • The ARRICAM Speed Control Box which executes speed ramps with or without exposure compensation through the camera’s electronic shutter or lens iris (In addition, this unit will allow the camera to sync up with video monitors and film projectors).
  • Electronic shutter adjustable from 0º to 180º.
  • Forward running speeds of 1 to 48 fps.
  • Reverse running speeds of 1 to 32 fps (With studio magazines only).
  • Dual pin registration
  • The camera accepts the 400’ Shoulder, Steadicam and Studio magazines as well as the 1000’ Studio magazines.
  • 100% video top and low mode bracket for Steadicam use.
  • Camera can be set up for regular and Super 35.

The standard Arricam Lite package includes:

  • camera body
  • swing over view finder
  • sliding base plate
  • long and short rods
  • ground glass
  • 2 power cables

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Arricam Studio

The Arricam Studio is ARRI’s latest ultra quiet and quite rugged studio camera.  It performs all the basic camera functions one would expect and also sports an electronically adjustable mirror shutter, beautiful integrated video assist system and its magazines can be top or rear mounted according to your production needs.

Other features of the Arricam Studio include:

  • The preferred Universal Studio Viewfinder which transmits significantly more light to the operator’s eye.
  • Medium and long viewfinder extensions.
  • ARRIGLOW module.
  • The ARRICAM Speed Control Box which executes speed ramps with or without exposure compensation through the camera’s electronic shutter or lens iris (In addition, this unit will allow the camera to sync up with video monitors and film projectors).
  • Dual pin registration.
  • 3 and 4 perf capable.
  • Electronic shutter adjustable from 0º to 180º.
  • Forward running speeds of 1 to 60 fps.
  • Reverse running speeds of 1 to 32 fps (With studio magazines only and speed control box).
  • The camera accepts the 400 and 1000’ magazines.
  • 100% Studio video top and low mode bracket for Steadicam use.
  • Camera can be set up for regular and Super 35.

The standard Arricam Studio package includes:

  • camera body
  • swing over view finder
  • sliding base plate
  • long and short rods
  • ground glass
  • 2 power cables

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Arriflex 535B

The 535B sync sound camera operates at preset speeds of 24, 25, 29.97 and 30 fps, as well as 3-60 fps, forward and reverse, with a built-in speed control. The camera is equipped with a variable shutter adjustable from 11 to 180 degrees, a swingover viewfinder, Arriglow and time code. The 535B camera can be configured for hand held and Steadicam use. The camera can be set up for regular or Super 35.

The standard 535B package includes:

  • Camera body
  • Wide angle eyepiece
  • Extension eyepiece
  • Eyepiece leveling rod
  • Sliding base plate
  • Long & short rods
  • Gelatin filter holders
  • TV Ground glass
  • 2 - power cables

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Arriflex 435ES

The 435ES m.o.s. camera operates at preset speeds of 23.976, 24, 25, 29.97 and 30 fps. It has a built-in speed control which allows it to operate from 1 to 150 fps in forward and reverse. The camera is equipped with a programmable electronic variable shutter from 11 to 180 degrees and allows speed and shutter changes within a shot. The 435ES camera also includes a swingover viewfinder, Arriglow and time code. The camera can be set up for regular or Super 35.

The standard 435ES package includes:

  • Camera body
  • Wide angle eyepiece
  • Extension eyepiece
  • Eyepiece leveling rod
  • Right hand grip
  • Sliding base plate
  • Long & short rods
  • Gelatin filter holders
  • TV Ground glass
  • 2 - power cables

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ARRIFLEX 235

The ARRIFLEX 235 is a lightweight, modern 35mm film camera that is perfect for handheld, steadicam, remote and “C” camera work.  This PL mounted camera accepts dozens of 35mm lenses and features a bright optical viewfinder making it very desirable for any DP.

Features of the 235 include:

  • Bright swingover viewing system
  • Uses the same ground glasses as the 435
  • 235 magazines include 200’, 400’ and 400’ Steadicam models
  • Also uses 400’ 435 magazines as well as 200’ and 400’ 2C/35-3 magazines
  • 35/Super 35 formats
  • PL lens mount
  • Single pin registration
  • Speeds from 1 to 75 fps
  • Manually adjustable shutter from 45 to 180º
  • Compact integrated video assist
  • Can be used with ARRI’s RCU, WRC, ICU, ESU and Wireless Remote System.
  • Will execute speed ramps with Iris Control Unit (ICU).

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Aaton 35-III

The 35-III sync sound camera is one of the smallest and lightest hand held 35mm cameras available, weighing only 18 lbs with a 400’ load, prime lens and battery. The camera is capable of 3 to 40 fps with a built-in speed control. It has a 4 stage shutter 180, 172.8, 150 and 144 degrees, Aatonite illuminated ground glass and swing over viewfinder. The ergonomically designed magazines are set up for quick change out. The parallel attachment ports at the top and bottom of the camera allow it to be mounted on a Steadicam in a matter of minutes. The camera can be set up for regular or Super 35 and incorporates the easy to use Aaton time code.

The standard Aaton 35-III Package includes:

  • Camera body
  • Wide angle eyepiece
  • Extension eyepiece
  • Eyepiece leveling rod
  • Right hand grip
  • Left hand grip
  • Sliding base plate
  • Long & short rods
  • Aaton mini rods
  • TV Ground glass
  • 2 - power cables

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Hours of operation:

Mon–Fri:  
8 am – 5:30 pm
(Call until 10 pm)

Saturday & Sunday by appointment, but call anytime

Off-hours Pick Up/Drop Off:
Please call to arrange a time

 

Schumacher Camera
1147 West Ohio Street #102
Chicago, Illinois 60642
312-243-3400
info@schumachercamera.com

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